![]() ![]() Although covered in modifier buttons the Maschine software began to outgrow its software shell and having a layout consistent with the original hardware no longer made sense. Over a nine-year period, NI evolved the software back-end of Maschine, incrementally adding new features and substantial improvements. In 2016 a ‘sidecar’ iteration appeared - Maschine Jam - lacking any kind of displays, but with a user interface focused on on-the-fly step sequencing and touch strips that provide easy mixing, lock states and playing notes via strumming. Although it provided the bling experience (with a price to match), its release predated key features, later introduced in the Maschine software, creating a clear application for one-to-one function buttons. The full-colour, high-resolution displays provided a graphic-rich means of navigating the browser, a proper mixer and Mix window, and a DAW-like piano roll presentation of the step sequencer. The substantially larger chassis allowed for more relaxed button spacing and additional shortcut buttons. Maschine Studio appeared in 2013 delivering the roomier ‘Business Class’ Maschine experience. NI released Maschine MkII a few years later with a better build quality, the monochrome displays were backlit, and the buttons/pads received coloured backlighting with a more reassuring ‘click’ to the function buttons. Because its software was written to exploit the control surface, it truly excelled at getting musicians away from their computers and focusing on the music. Instead of dealing with proprietary, cantankerous disk formats, file management was no different to everyday file storage. Instead of MB of RAM for sample storage you had GB of RAM in your computer. Open MidiShaper and set the MIDI output to the IAC port.Īssign one of MidiShaper's sources to CC 1 in the modulation matrix to modulate the Macro.When Maschine (MkI) hit the scene back in 2009, it was a revolution - it delivered a hardware MPC-style experience powered by any BYO computer technology of the day you partnered with it. Go back to the Pad on which MidiShaper is loaded. When assigned, a grey marker will appear on the Macro knob. Right-click the Macro knob and assign it to 'CC 1'. ![]() Next, head to the Group tab and enter the Macro page. The Macro-assigned parameter is indicated by a blue marker. This is done by right-clicking the parameter in any of the synth's 'Pages' and selecting a Macro from the Assign Macro Control submenu. Right-click the pad and choose 'Sound MIDI Settings'.Ĭheck 'Enable' and choose the channel selected earlier in the MIDI Out settings.Īssign the parameter you want to control with MidiShaper to a Macro in Maschine. Load your soft synth in the first slot on any free Pad. Set the first slot of any available Pad to 'MIDI Out'. In Audio and Midi Settings, enable the input and output of the virtual MIDI port. Start Maschine and go to File -> Audio and MIDI Settings. Windows users will need to install any of the numerous virtual MIDI drivers available for free online, such as MIDI Yoke or LoopBe, and open at least one virtual MIDI port. MacOS has the IAC virtual MIDI driver built in, configured via the Audio MIDI Setup application in the Applications/Utilities folder. This will enable MIDI CCs to be sent from MidiShaper to Maschine's Macros, which in turn can be assigned to control plugin instrument and effect parameters. To use MidiShaper with Native Instruments Maschine you need to set up a virtual MIDI port. MidiShaper and Native Instruments Maschine Setting up a virtual MIDI port
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